CAST AND CREW
 
 
 
JAMES RAYNORWriter, Producer, Director, Norbert Crest
Despite having merely adequate acting ability, Raynor’s ability to gurn and flail is second to none, hence his casting in the lead role of Norbert Crest. His willingness to get a face-full of maple syrup (no other fluids though) also helps in this decision.
 
 
VICKY CRAMPTON Jordana Abraham 

Vicky is a veteran of several Untamed Aggression productions, including the ill-fated Killer Sandwich and the critically acclaimed Running Like Mad. When she voiced her desire to make a film where she dies in a hail of blood and destruction, writer/director James Raynor was only too happy to oblige. 

 
 
 
 
 
NICK THOMSON Camera Operator, Mormon #1
 
Nick is the living embodiment of the term “slacker,” spending his time getting off his tits and making bizarre, homoerotic paranormal comedies. Despite his waxy exterior, he is quite handy yielding a camera, thus his employment as camera yielder.
 
 
 
SABBI STONE Sound Recorder, Undead Shemp 

Sabbi, or as she is known to her friends, “Sabbi,” has utilized her passion for sound (nothing that goes with it, just the sound) to gain her a place on the Angry and Moist production team. Her diminutive stature makes it easy to put her in the cupboard as a zombie at the end of the film, too.

 
 
 
DOM WYNTER Afro-Zombie
 
Dom’s presence on the team needs no explanation, but here goes anyway. Following his faultless performance in Twatting Zombies as a zombie that gets decapitated, I felt that Dom should be given the opportunity to spread his wings as an actor and really stretch himself, hence casting him in the role of a zombie that gets decapitated. Except now with an Afro. 
 
 
 
 
NICOLA FORD Undead Shemp 

Another Untamed Aggression veteran, perhaps best known as Vicky’s sociopathic cohort in Running Like Mad. Scheduling conflicts prevented Nikki from taking a more active role in the production but her reprisal of the role of a re-animated corpse (now in a snazzy shirt) should be met with a rapturous reception.

 
 
 
 
ALEX EAMONSON Camera Operator, Mormon #2
Al was cast primarily for his ability to act scared and for having a high rate of oscillation in his forearms; perfect for wibbling any religious text. Al will not be allowed to go outside due to a previous incident involving replica weaponry and a police helicopter, seven police cars and a dog patrol.
 
ADDITIONAL CREDITS
 
cinematography and editing by JAMES RAYNOR
production design by JAMES RAYNOR, MORAG TAYLOR, NINA FAROOQI AND ALEX EAMONSON
music by DAMIAN McDONALD
stunts by JOEL STUBCHUNK
sound and lighting equipment provided by LOUIS COLAN
cameras provided by THOMAS DANBY COLLEGE